Pirates, Wall Street and World Revolution

October 5, 2011

8,9% and I am one of them

8,9% of Berlin voted for the Pirate Party last month and I’m proud to say that I was able to contribute to that outcome: while being an Austrian living in Berlin I am allowed to vote in my district. For the first time there was the candidate “Piratenpartei” on the ballot and that’s where I made my cross. And So did many other. And news that close to 10% of Berlin is now in Pirate Party hands spread quickly around the globe (blog.p2pfoundation.net).

I was actually a bit surprised about just how wide that news travelled: it seems people have been waiting for this (blog.p2pfoundation.net). Those 8,9% for the Pirates in Berlin are a signal for others: if Berlin can do it your city, your country can do it too.

And guess what, now after the success in Berlin the German Pirate Party gets around 7% in polls – that is 7% Germany wide: should there be general elections next Sunday we’d had the Piratenpartei sitting in the German Bundestag.

And there is still much more potential for sure: I would not be surprised at all should Pirate Parties around Europe get two digit results in elections within the next five years.

People this is it, this is the time to get out and vote for the Pirates. And if you can’t vote let your family know, your father, mother, brother, sister, grandfather, grandmother, uncle, aunt etc.:

Let them know why you want the Pirate Party in your (local) government, explain to them why the Pirate Party is like “a patch for Democracy” as I read somewhere.

Let them know why (software) patents are truly evil and why Copyright is in fact Copywrong.

Let them know about the Patent Trolls and Copyright Thieves.

Let them know about h.264.

Let them know that Apple, Microsoft, Sony, Samsung, Frauenhofer Institute and all those others h.264 patent holders are S-T-A-E-L-I-N-G everyone’s video footage using software patents (you do not own your own h.264 video footage, not even after transcoding to e.g. an open format: licensing fees for any “commercial” use will need to be paid to all those thieves hiding behind the acronym MPEG-LA).

Let your people know the truth about why a Bill Gates or a Steve Jobs could “achieve” what they did in those last 30 years:

Gates, Jobs etc. are a simply a special kind of breed of thieves who (while now retired used to) organise, set up and run a wide range of (in the US legal, in Europe for sure quite illegal) extortion schemes based on software patents and related “legal” constructs. Latest examples: the Samsung tablet that Apple tries so hard to block via court orders or the fact that Microsoft will make money with basically every Android phone you buy ($5/phone Protection Money for the IP lawyers thanks to software patents).

Or maybe there is something else that makes you angry…? Maybe it’s the RIAA or the MPAA (better know as MAFIAA)…?

There surely are many good reasons to be very angry these days (WikiLeaks censorship, youngsters/hackers who defend Democracy put in jail, Greece looted by the Banks, …) and each reason is a good one to turn your anger into real political change by voting Pirate Party!

This is our chance to get rid of those governments that have been corrupted be the Content and Copyright Mafia.

This is our chance to get rid of ACTA and all future attempts by the Content Mafia who is trying to undermine Democracy in order to save their dying business model, a model that never was right in the first place, a business model that is based on stealing but never giving back to society. One of the best examples being The Walt Disney Company and the Micky Mouse Protection Act from 1998.

Occupy Wall Street and World Revolution

“I see Corporatism, Fascism, chronic Capitalism. I don’t see a free market. I see a police state, I see an American Empire, I see 700 military bases in 135 foreign countries. I see 5000 dead bodies in Iraq. A welfare warfare state which gives out billions of dollars in foreign aid for dictators (…).”

(From the Voice Over/interview at the beginning of the embedded video about the current Occupy Wall Street movement:)

Nobody Can Predict The Moment Of Revolution (2011), 8:01

by Martyna Starosta & Iva Radivojevic, CC BY-NC 3.0

Video’s page on Vimeo.

One more thing…

Now that we have Freedom from Steve:

Steve Jobs,

You personally may get away with this and keep making your dirty money for quite a while. Yet not forever.

Thing is you are old and I am so much younger than you. Chances are I’ll still be around when you are long gone. And I’ll make sure the world will hear the true story about h.264. I’ll make sure that people get a chance to remember Steve Jobs for who he really was. You are no innovator, your are no inventor. At the end of the day you are simply that: a thief.

And Fuck You for that.

FUCK YOU STEVE JOBS FOR H.264.

FUCK YOU.

FUCK YOU.

FUCK YOU.

And FUCK YOU.

Update (06.10.11) :

Steve Jobs died this morning. Here the discussion on Slashdot.

Yes, it’s always very sad when someone dies and I’m sure many including his family will miss him. Yet death does not mean you have to be dishonest. The man may have done a lot for the Apple shareholders and may have pushed the industry in the directions he wanted, but for me personally he is one the biggest disappointments when it comes to role models:

I used to watch his Apple sales shows back in the ’90 on a Performa 5200, connected to the internet via modem. He was a brilliant sales person. He really was. Unfortunately he was not honest about his products shortcomings and he betrayed a whole generation of artists, film makers and young ones who bought his h.264 pitch. Steve Jobs choose to betray and steal from everyone (h.264 video footage) so that he could build a monopoly around/by using the moving image:

* He tried to push h.264 as the only legal video codec for distribution: when you already own an online store for movies (iTunes) as well as parts of a Hollywood film studio (Disney, before that Pixar) this simply is extremely greedy and shows you do not like competition at all. For over ten years open-source audio/video codec developers were severly bullied by all those who stand behind h.264. In his own words (blogs.fsfe.org):

“All video codecs are covered by patents. A patent pool is being assembled to go after Theora and other “open source” codecs now.”

* At the same time, knowingly, just as all the other h.264 patent holders, he was happy with stealing your and mine h.264 video footage: I got an h.264 camera and went out shooting footage, for weeks, months. I was planing to use that footage commercially until I found out about the scheme that Jobs etc. had set up/were happy to make their dirty deals with: the MPEG-LA.

Jobs not only wanted a monopoly on distribution but he also wanted to control independent content, e.g. accepted – and never communicated – the MPEG-LA’s rules e.g. about how long (!!!) your h.264 online video can be before you have to start paying fees to them. Steve Jobs was prepared to and did sell his user, did betray those artists who trusted him and who supported his company in all those years when Apple almost went out of business.

Steve Jobs betrayed us with h.264. I won’t forget that. And I will make sure that this story reaches as many people as possible, now and in the future.

A monopoly on the moving image is simply a very, very dangerous thing. It would be highly irresponsible not to let future generations know about this. Basically what Jobs opened up/promoted is a road to Fascism. People need to hear the h.264 story so that something like this can never happen again!


31.12.10: Closing this blog, taking all my media offline and moving from Berlin…? Reason: JMStV

November 30, 2010

Be it a wicked plan to install some serious online censorship in Germany or simply corruption and incompetence, it now looks like the very controversial German Jugendmedienschutzstaatsvertrag (JMStV) may well be signed soon and could become binding law from January 1st, 2011 on. Blogs machen wegen neuen Jugendschutz-Regelungen dicht (www.heise.de)

The legal hoops for a small blog like mine with self produced media content (incl. links and “making available for free download” of my own feature film Vincent, 44 min., 16mm > 35mm blow-up, made in Austria in 1996/2003) seem too complicated, expensive and for sure too risky to take without legal advice, that I now seriously ponder about doing the following:

* remove my indiworks.wordpress.com blog
* remove my indiworks.blip.tv videoblog
* remove all my online videos from the Internet Archive (incl. Vincent and His Girl Friday – Between the lines edit (www.archive.org) as well as all my 3D shorts)

and

* move from Berlin/Germany to another EU country where I find political sanity and understanding of new media/online art/blogging etc.

If you happen to be a new media investor, blogger, artist, film maker etc. planning to move to Berlin/Germany (as I did in 1999) because you’ve heard of a vibrant, off-mainstream (online) art/media scene:

* you may want to think twice now and keep a close look at the events unfolding in the days and weeks to come and opt for another location than Berlin/Germany for your investments and business to be

* it may well be that we now only have 31 days left until a de facto censorship law will make it easy for (big media) lawyers to either get rid of your work or to force you into classifying your work with a (from) “18″ (years on) label

I do hope that EU commissioner Neelie Kroes (and her staff), who recently held a vibrant speech for a copyright reform (europa.eu) will recognise these established media tactics for what they are: force indie content provider (self made, original works!) to shut down distribution of their e.g. Creative Commons licensed works using laws like the Jugendmedienschutzstaatsvertrag (JMStV) that is really only going to be there to help big media widen it’s existing monopoly-like position.

Not only copyright law needs to be reformed but Europe also needs to protect art and artist from hidden censorship like the German Jugendmedienschutzstaatsvertrag (JMStV).

In other words: even if you are trying very hard to abide to the already very restrictive copyright and “intellectual property” laws (e.g. doing remix works with Public Domain footage like myself) you may still get into expensive legal troubles or have to label your work with only for “18″ in order to be on the safe side. I’d rather move to another country. Thank you very much Greens for betraying us (parlamentarische-zwaenge.de)! Yet another reason for only voting Pirate Party in all future elections!!!

So this in short is why I now soon may have to say:

Goodbye to Berlin

Meine Damen und Herren, Mesdames et Messieurs,

Willkommen, bienvenue, welcome

Im Cabaret, au Cabaret, to Cabaret

Update(s):

see also:

http://t3n.de/news/neuer-jmstv-286977/

http://www.schockwellenreiter.de/blog/2010/11/30/jmstv-und-weiter/

http://yuccatree.de/2010/11/jugendmedienschutz-staatsvertrag-bundeslander-beschliesen-juristisches-chaos-fur-blogger/

http://blog.pantoffelpunk.de/brechmittel/wieder-neue-wahlplakate-der-gruenen-geleakt

http://www.spiegel.de/netzwelt/netzpolitik/0,1518,732060,00.html

http://www.netzpolitik.org/2010/wider-das-grose-blogschliesen-wegen-des-jmstv/

http://www.netzpolitik.org/2010/jugendmedienschutz-wende-nach-dem-shitstor/

http://www.netzpolitik.org/2010/jmstv-in-berlin-parlamentarische-zwange-auch-bei-der-linken/

http://www.golem.de/1011/79772.html

http://ak-zensur.de/

and some first legal analysis (found via http://blog.fefe.de/):

http://blog.beck.de/2010/11/30/jugendmedienstaatsvertrag-und-altersfreigabe-im-internet

yet more…:

http://www.zeit.de/politik/deutschland/2010-11/gruene-nrw-internet-jugendschutz

http://www.testspiel.de/archives/2010/11/30/linksammlung-zum-jugendmedienschutz-staatvertrag-jmstv/ (more links, some listed here some not)

http://berlinnow.org/?p=737

http://www.robertbasic.de/2010/11/jmstv-novellierung-herkunft-und-gruende/

http://www.indiskretionehrensache.de/2010/11/deutschlands-parteien-unwahlbar-eine-wutrede/

http://itspublique.de/archives/8795

and don’t forget:

https://twitter.com/gruenenrw/status/9305356467445760:

Wir sind weiterhin gegen den #JMStV, die Fraktion hat sich aufgrund parlamentarischer Zwänge anders entschlossen.

some more links:

http://pressetext.at/news/101201003/internet-jugendschutz-geht-an-realitaet-vorbei/

http://diepresse.com/home/techscience/internet/614762/Jugendschutz_Deutschland-droht-die-InternetWueste

and not much more to say than that one…

http://www.fischfresse.de/2010/11/jugendschutz-medien-der-neue-jmstv-satire-jugendmedienschutz-staatsvertrag/

31.12.10: Closing this blog, taking all my media offline and moving from Berlin…? Reason: Jugendmedienschutzstaatsvertrag (JMStV)

 

Be it a wicked plan to install some serious online censorship in Germany or simply incompetence or corruption, it now looks like the controversial German Jugendmedienschutzstaatsvertrag (JMStV) may well be signed next Thursday and could become binding law from January 1st, 2011.

 

The legal hoops a small blog like mine with self produced media content (incl. links and making availabel for free download of my own feature film Vincent, 44 min., 16mm > 35mm blow-up, made in 1996/2003) seem to comlicated, expensive and for sure risky to take without legal advice, that I now seriously ponder about doing the following:

 

* remove my indiworks.wordpress.com blog

* remove indiworks.blip.tv

* remove all my online videos from the Internet Archive (incl. Vincent and His Girl Friday – Beetween the lines edit as well as all my 3D shorts)

* move from Berlin/Germany to another EU country where I find political sanity and understanding of new media/online art/blogging etc.

 

If you happen to be a new media investor, blooger, artist, film maker etc. planning to move to Berlin/Germany (as I did in 1999) because you’ve heard of a vibrant, off-maistream (online) art/media scene:

 

* you may want to think twice now and keep a close look at the events unfolding in the days and weeks to come

 

* it may well be that we now only have 31 days left until a semi-corporate-fascist supported law will make it easy for (big media) lawyers to either get rid of your work or to force you into classifying your work with a (from) “18″ (years on) label

 

I do hope that EU commisoner Croes, who recently held a vibrant speech for a copyright reform http://europa.eu/rapid/pressReleasesAction.do?reference=SPEECH/10/619&format=HTML&aged=0&language=EN&guiLanguage=en will recongnise the established media tactics for what they are: force indie content provider (self made, original works!) to shut down distribution of their e.g. Creative Commons licensed works because of laws like the Jugendmedienschutzstaatsvertrag (JMStV) that is really only going to be there to help big media widen it’s monopoly like position.

 

In oder words: even if you are trying very hard to abide to the currently already very restrictive copyright and “intelectual property” laws (e.g. doing remix works with Public Domain footage like myself) you may still get into expensive legal troubles or have to label your work with only for “18″ to be on the safe side.

 

Good-by to Berlin

 

Corporate Fascism is about to start in 31 days.

Meine Damen und Herren,

Wilkommen, Bienvenue…

Au Cabaret, au cabaret, au cabaret…

 


The Bitch is Back: 100% free LimeWire Pirate Edition with Pro features is here

November 9, 2010

Thanks to the generous, yearlong legal efforts of everyone’s much loved RIAA, a secret Dev Team just released the LimeWire Pirate Edition (LPE) two weeks after legal inconveniences temporarily sent one of the pioneers of P2P clients on a short holiday in order to get a face lift, blood transfusion and much more:

LimeWire Resurrected By Secret Dev Team (torrentfreak.com)

It is based on LimeWire 5.6 beta and “in many ways, it is better”: “All dependencies on LimeWire LLC’s servers have been removed, all remote settings have been disabled, the Ask toolbar has been unbundled, and all features of LimeWire PRO have been activated for free.” “There’s no adware or spyware: the piratical monkeys are doing this for the benefit of the community.”

TorrentFreak’s verdict so far: “Currently only available for Windows, in our tests LimeWire Pirate Edition functioned perfectly well and is already circulating on BitTorrent.”

While I personally neither use Windows nor have use for this (see here for why) I believe it is a good thing to have yet one more P2P client available for those who need it!

As others have said before: cut off one of the hydra’s heads and two new ones will grow. Now there is not even a company behind this software that the nice gentlemen from the MAFIAA might be able to talk to.

Life finds its way. All for one, and one for all. The bitch is back.


Fees on hard drives, Godard, HDCP, Pirates and the Day of Glory

September 18, 2010

This week in

The Content MAFIAA

vs.

The People

Austrian newspaper derStandard.at reports Urheberrechtsabgabe auf Festplatten ab Oktober (derstandard.at) – (new) fees on hard drives etc. for the content MAFIAA in Austria (Austro Mechana etc.) from October on.

The funny part: they say it’s for media that consumers already legally obtained…! So if you are stupid enough to still buy your content at the iTunes store (all your songs have dirty DRM (techcrunch.com) on it), you’ll now pay again, and then again, and again for the DRM content that you paid for already and do not own.

Now that seems just a little bit too greedy to me…

***

Meanwhile Jean-Luc Godard has said: “Il n’y a pas de propriété intellectuelle. Je suis contre l’héritage, par exemple.” “There is no such thing as intellectual property. I’m against the inheritance [of works], for example.” (www.ecrans.fr)

More on Boing Boing (boingboing.net): “I am against Hadopi [the French internet-copyright law, or its attendant agency], of course. There is no such thing as intellectual property. I’m against the inheritance [of works], for example. An artist’s children could benefit from the copyright of their parents’ works, say, until they reach the age of majority… But afterward, it’s not clear to me why Ravel’s children should get any income from Bolero…”

***

In other news the HDCP (en.wikipedia.org) Master key has been “leaked” (by whom…?), Sony’s DRM infested Blue-Ray has been cracked (hardware.slashdot.org) and Intel Threatens to Sue Anyone Who Uses HDCP Crack (www.wired.com).

***

When you read the comments on derStandard.at from that article linked above you can see that a lot of people are getting really angry at the content MAFIAA’s doing.

It’s a good thing that there are elections in Sweden this weekend. Unfortunately I am not Swedish and so the Swedish Pirate Party will have to do without my vote. But I am sure others will be there.

You see once people are really angry it’s just a matter of time until the day of glory has arrived

***

Update: In yet more related news TorrentFreak reports that in “a call to arms yesterday” 4chan DDoS Takes Down MPAA and Anti-Piracy Websites (torrentfreak.com). “Don’t mess with the Internet they say.” (19.09.10): See also 4chan to DDoS RIAA Next – Is This the Protest of the Future? (torrentfreak.com), RIAA Goes Offline, Joins MPAA As Latest Victim Of Successful DDoS Attacks (techcrunch.com).

Update 2 (19.09.10): Looks like Intel is now trying to win an unpopularity contest with Apple when it comes to lock-in strategies and screwing the customer, not only will they sue you for using the HDCP crack: Intel wants to charge $50 to unlock stuff your CPU can already do (www.engadget.com), Intel Selling Scratch-Off “Upgrade” Cards To Unlock Processor Power (techcrunch.com)

Update 3 (21.10.10): Discussion/comment (by user blacklightknight from September 18, 2010) on HDCP Master Key Confirmed; Blu-ray Content Vulnerable (www.pcmag.com):

“a huge blow to Hollywood” ……really.

The only huge blow to Hollywood is the cocaine they snort every morning for breakfast, lunch and dinner. I have no love for them. They are nothing but organized criminals calling themselves an “industry”.

Hey Hollywood, notice just how much people love you…?!


And the message is… (hint: Free Culture)

May 18, 2010

TorrentFreak reports that The [Swedish] Pirate Party Becomes The Pirate Bay’s New Host (that is after the Pirate Bay supposedly “sank” in recent days).

In the light of the recent aggressive attacks against filesharers this is an interesting turning point in this real life drama/story about (our) culture…

As I previously said it’s a bit silly to help your ideological/cultural “enemy” push the warez, but seen as political activism my sympathy is with the pirates:

Hollywood needs to understand the message behind all of this instead of trying to put that genie back into a bottle that never was right in the first place.

Hollywood, Lawrence Lessig’s Free Culture book is a very good starting point to learn more about your fans/customer’s world and needs…!

Update 1: This is related, seems like a good time for a (new) discussion about copyright…! Why I Steal Movies… Even Ones I’m In – Peter Serafinowicz – Gizmodo (14.05.10)

Update 2: And this is the official announcement on the Pirate Bay blog (in lolcat):

PLZ LEARN: TPB CANT BE SHUT DOWN
LOL!
AS U MITE HAS READ OR NOTICD, PEEPS ONCE AGAIN R TRYIN 2 SHUT US DOWN. DIS WILL NOT SUCCED, LOL. OURS RLY NICE WEBHOST WUZ THREATEND WIF RLY HUGE FINE, SO WE DECIDD 2 MOOV TEH SIET SO DAT THEY DIDNT GOT INTO TROUBLE, LOL. TEH DECISHUN 2 MOOV WUZ TAKEN BY US, TEH PIRATE BAY, LOL.
TEH PIRATE BAY IZ AN UNSINKABLE SHIP. IT WILL SAIL TEH INTERWEBS 4 AS LONG AS WE WANTS IT 2. REMEMBR DAT, K THX.
TPB, ONLY IN IT 4 TEH LULZ SINCE 2003


“The Hurt Locker”: here is one DVD buyer less now!

May 15, 2010

TorrentFreak reports that the makers of Kathryn Bigelow’s latest “The Hurt Locker” are going to sue “Thousands of BitTorrent Users.

I see.

And here in Europe there is now one buyer less for “The Hurt Locker” DVD: me.

I’m quite of a fan of Kathryn Bigelow’s work, I was hyping that movie (among my friends) long before everyone was only talking about the movie that brought DRM to the mainstream cinema, “Avatar” (and no, I still have not seen “Avatar” yet because of the DRM they use).

From now on I will write about individual Hollywood movies and pick them out for boycott – just like Hollywood picks out individual fans that they’ll sue!

I love (good) movies. I don’t “pirate” movies for one good reason: “piracy” simply helps promoting (Hollywood) movies and I wish people would stop distributing what I think is really to about 9/10 unwatchable anyway.

Yet if Hollywood continues to sue my movies loving brothers and sisters I will stop buying from Hollywood entirely and I will stop watching new Hollywood movies entirely.

And in the long run:

I hope that all sane and creative people will stop working for an industry that has lost its touch to the audience long ago.

And this is not even talking in detail about the incredible superficiality and the poor handwork (e.g. scripts) that Hollywood pushes on the market these days.

I am specially sad that the makers of “The Hurt Locker” are now joining in the corporate fascism tactics that Hollywood is using. This movie is an exception, it’s actually really, really good – yet I will not buy it on DVD now, the movie simply will not exist in my collection, it will be missed, yet this is what needs to be done now.

This system needs to be changed. I won’t shut up. Not me.


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