Proud (former) sponsors of FIFA

May 30, 2015

Coca-Cola_FIFA

McDonald's_FIFA

Sony_FIFA

adidas_FIFA

Visa_FIFA


Central Eyes: Kubrick and Hitchcock remix analysis by kogonada

February 1, 2015

Here two works by vimeo user kogonada, the guy probably has the coolest editing job on the planet making these kind of videos for a distinguished DVD etc. label and a UK film magazin. I highly recommend watching all of his online videos! Enjoy:

Kubrick // One-Point Perspective

Eyes of Hitchcock


Blender and Natron: open-source video editing and compositing

January 23, 2015

The Blender VSE was the favourite open-source video editing solution for Linux (while Blender is available for all major platforms) for the author of this blog entry and the story even made it to Slashdot this week.

So BlenderNation now posted this link to Important video editing Addons for Blender

And here some recent improvements for the Blender Video Sequence Editor (VSE) (or often just called Sequencer) in the latest Blender 2.73a release.

Natron 1.0, an open-source compositing solution, was released at the end of last December, the 1.1 version is already available now!


Rise like a Wurst: “We are unstoppable”

May 11, 2014

When only quite recently the current Pope declared the sainthood of the homophobe Pope John Paul II the Catholic Church once more emphasized their inhumanity. This of course happened just months after Putin signed his anti-gay law bill.

So while I usually don’t care much about the Eurovision Song Contest this year was different: last December I moved from Berlin/Germany back to Vienna/Austria and was surprised to see what act my country now had sent to compete in this year’s Eurovision Song Contest – at a time when the far right seems to be getting stronger and stronger in this country…

So this blog post is dedicated to all the victims of religious and political homophobia. Remember the Wurst: “We are unstoppable”.

See you at the Regenbogenparade (CSD/Vienna Pride) on June 14, 2014.


Blender 2.70 and The GOOSEBERRY project

March 20, 2014

Blender 2.70 splash screen

Today the Blender Foundation released Blender 2.70! Download and Release Notes.

At the same time the Blender Institute and twelve indie studios from all over the world are preparing a cloud funded, featured length animation film: The Goosberry Project. For updates read the blog. Fundraising still going on for a little less than a month…!


Review: “Blender Compositing and Post Processing” by Mythravarun Vepakomma, ebook from Packt Publishing (2014)

March 17, 2014

*Disclaimer and Introduction*

1127OS_Cover_0.jpgI was asked by Packt Publishing to write a short, independent review for “Blender Compositing and Post Processing” in exchange for a free copy of the ebook.

Since the Blender Compositing Nodes (next to the Blender VSE, the Video Sequence Editor) are one of my absolute favourite feature in Blender I decided to go for it: I like to use them for post processing video footage/creating looks and love the fact that you can do this with Blender (a very powerful free and open-source 3D etc. solution) on all major platforms/can share your .blends across all those platforms!

So this is my personal, general impression of the “Blender Compositing and Post Processing” ebook while being someone with a more creative mind rather than a technical one:

*DRM free*

First thing I noticed is that the ebook comes without DRM (Digital Rights (or as some say “Restriction”)) management and you can download it in four different formats. I went for the .pdf version.

*Structure*

The ebook seems very well structured. It starts off with a condensed overview for all chapters and at the end of each chapter there is a brief summary of what you’ve just read. This allows you to quickly find/read what you are looking for when you need it/to just dive into those topics that you feel not so familiar with. At the end of the ebook there is an Index with the most important keywords/page numbers where to find those topics in the text.

*Target Audience*

The ebook probably requires some basic Blender knowledge or some familiarity with (3D, video) post production related technical terms/concepts. I think you could use it with not much prior know-how but would need to do some extra research (Wikipedia, Blender Wiki etc.) in order to really understand what it all means/find it useful. More to this at the end of *Content, Approach and Concept*.

*Content, Approach and Concept*

While I was very pleased with the ebook’s structure I was (a bit) disappointed by the fact that this is not what may be called a “workbook”. While there are many visual examples for e.g. how a particular Node works you won’t find more complex examples for Node set-ups to re-create.

For those new to Blender/Nodes a short introduction to the concept: basically compositing in Blender works via “Nodes”, individual sort of filters etc. that allow you to manipulate an image/a series of images in a very specific way while you can combine those filters etc./the order in which they are applied to your 3D renders or footage by connecting those Nodes via sort of wires called “Noodles” and this way create your own very complex set of filters etc. using a very flexible tree like structure. This concept is much more powerful as compared to what you can do in your average image manipulation or video editing programme where you usually only can lay one filter on top of another one and combinations therefore are limited…

My feeling is that a technical minded person or someone with a compositing background/coming from another 3D programme etc. would probably be able to quickly get started with compositing in Blender using this ebook. Someone with a more creative mind who likes/needs to play around with actual examples/set-ups in order to grasp the concepts on a visual or sort of holistic level might need to invest more time and would need to do extra research in order to be able to fully understand the concepts introduced in this ebook.

*Summary and Thoughts*

“Blender Compositing and Post Processing” seems to be a well structured, clearly written ebook that explains the basic concepts involved you need to know in order to get started with using the very powerful free and open-source 3D programme Blender (available for all major platforms, .blends can be shared across all platforms) for post processing either your 3D renders or video footage.

This ebook seems to either requires some prior related technical understanding or the will to research/experiment on your own if you start from scratch. It is not a “workbook” in the sense that you won’t find more complex example Node set-ups to re-create.

I think from a learning point of view (and for the purpose of having fun with the Blender Compositing Nodes/learning them while playing around with them) this ebook could be accessible to an even wider audience with either one or two extra chapters that show how-to re-create specific Node set-ups (like e.g. a toon look, that’s always lots of fun) or the introduction of a practical example section/project for those chapters where appropriate.

*Thanks!*

I hope this general, personal review was both helpful and describes the ebook in a meaningful and adequate way, thanks for reading, have fun with Blender, the very powerful Compositing Nodes and if you choose so with this ebook!

Valentin Spirik, March 2014


Statement by Edward Snowden to human rights groups at Moscow’s Sheremetyevo airport – Friday July 12, 15:00 UTC

July 13, 2013

Hello. My name is Ed Snowden. A little over one month ago, I had family, a home in paradise, and I lived in great comfort. I also had the capability without any warrant to search for, seize, and read your communications. Anyone’s communications at any time. That is the power to change people’s fates.

It is also a serious violation of the law. The 4th and 5th Amendments to the Constitution of my country, Article 12 of the Universal Declaration of Human Rights, and numerous statutes and treaties forbid such systems of massive, pervasive surveillance. While the US Constitution marks these programs as illegal, my government argues that secret court rulings, which the world is not permitted to see, somehow legitimize an illegal affair. These rulings simply corrupt the most basic notion of justice – that it must be seen to be done. The immoral cannot be made moral through the use of secret law.

I believe in the principle declared at Nuremberg in 1945: “Individuals have international duties which transcend the national obligations of obedience. Therefore individual citizens have the duty to violate domestic laws to prevent crimes against peace and humanity from occurring.”

Accordingly, I did what I believed right and began a campaign to correct this wrongdoing. I did not seek to enrich myself. I did not seek to sell US secrets. I did not partner with any foreign government to guarantee my safety. Instead, I took what I knew to the public, so what affects all of us can be discussed by all of us in the light of day, and I asked the world for justice.

That moral decision to tell the public about spying that affects all of us has been costly, but it was the right thing to do and I have no regrets.

Since that time, the government and intelligence services of the United States of America have attempted to make an example of me, a warning to all others who might speak out as I have. I have been made stateless and hounded for my act of political expression. The United States Government has placed me on no-fly lists. It demanded Hong Kong return me outside of the framework of its laws, in direct violation of the principle of non-refoulement – the Law of Nations. It has threatened with sanctions countries who would stand up for my human rights and the UN asylum system. It has even taken the unprecedented step of ordering military allies to ground a Latin American president’s plane in search for a political refugee. These dangerous escalations represent a threat not just to the dignity of Latin America, but to the basic rights shared by every person, every nation, to live free from persecution, and to seek and enjoy asylum.

Yet even in the face of this historically disproportionate aggression, countries around the world have offered support and asylum. These nations, including Russia, Venezuela, Bolivia, Nicaragua, and Ecuador have my gratitude and respect for being the first to stand against human rights violations carried out by the powerful rather than the powerless. By refusing to compromise their principles in the face of intimidation, they have earned the respect of the world. It is my intention to travel to each of these countries to extend my personal thanks to their people and leaders.

I announce today my formal acceptance of all offers of support or asylum I have been extended and all others that may be offered in the future. With, for example, the grant of asylum provided by Venezuela’s President Maduro, my asylee status is now formal, and no state has a basis by which to limit or interfere with my right to enjoy that asylum. As we have seen, however, some governments in Western European and North American states have demonstrated a willingness to act outside the law, and this behavior persists today. This unlawful threat makes it impossible for me to travel to Latin America and enjoy the asylum granted there in accordance with our shared rights.

This willingness by powerful states to act extra-legally represents a threat to all of us, and must not be allowed to succeed. Accordingly, I ask for your assistance in requesting guarantees of safe passage from the relevant nations in securing my travel to Latin America, as well as requesting asylum in Russia until such time as these states accede to law and my legal travel is permitted. I will be submitting my request to Russia today, and hope it will be accepted favorably.

If you have any questions, I will answer what I can.

Thank you.

Source (wikileask.org)


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